Audiobuddha did a dubstep/techno set leading up to mine, and got things going nicely.  I got to see some of my old friends who stopped in for my set, including Mario, Craig, Michael and Chris.  Even my sister made an appearance!

I had planned on doing primarily chillout for this set, but I ended up dropping a minimal techno set.  Unfortunately, my laptop and/or Ableton Live decided to bomb out on me multiple times in the middle of my set, with tons of audio dropouts.  I couldn’t fight it, so I had to work with it.  Luckily, most of the crowd was pretty forgiving.

The overall night was great, and Audiobuddha put on a great production.  I think this will grow to be a recurring series in Santa Fe.

Tonight, I’ll be DJing for Monsoon, a monthly event thrown by Audiobuddha in Santa Fe, NM.

From the event page:

Monsoon is back and with a vengeance! AudioBuddha’s monthly showcase has found a new home at Cafe Phenix, 1414 Second Street, Santa Fe, NM 87505. The audio is more replenishing, the beats more succulent than ever!

To give Monsoon the proper send off in its new home will be none other than Brian Botkiller doing a special DJ performance! The show is all ages and the cover is only $5. Cheap for a full night of great music and food!

Cafe Phenix just recently got a write up in the New York Times as “Santa Fe’s best” place for music coffee and food. So come and support what will surely become a new institution in the local scene. Looking forward to seeing all of you there!

Info is here: http://www.facebook.com/event.php?eid=295899963691

So, let it be said that we don’t really support any politician; but, we do support rocking out. And that we did.

As DJ Featherricci dropped some tracks, we loaded in (dressed to the nines, as we often are), set up shop, and after an intro by MC Max Friedenburg, we were rolling with our first song, “Everybody Down”. People were a bit put off, but by the time we were dropping our cover of “She bop”, they were grooving. Some folks were obviously confused; let’s face it, Santa Fe isn’t our scene. We don’t play there much, and it usually caters to a much different crowd. Jeff worked them over with his usual dry and razor sharp wit, Jesi blew their faces off with her keys, Chris and Kenny held it down, and I did my best to continue to beat the hell out of my drumkit. As people loosened up (likely thanks to liquor), things got better. By the time we closed with “Punk rock cheerleader”, they were electrified enough to even sing along! We destroyed things as we usually do with our closer; cymbals flying about, lots of noise from Chris and Ken.

We were called back for an encore, which is not something we’re used to getting to do, and so we dropped our cover of “Dancing by myself” by Billy Idol, got people dancing, and hopefully wanting more.

As we packed up our gear, MC Max stood on the stage and asked the Mayor to say a few words, the first of which was, “I love Vertigo Venus!”. You don’t get to hear that too much about a riotous synhpunk act playing to a crowd that’s used to blues or latin jazz on a friday night.

A good night in general, and well-attended; Corazon can definitely pack in the heads. We look forward to making our way up to Santa Fe more often, so look out Sfe-ans. We’re coming for you.

/brian

Cementimental – Untitled Harsh Noise Graphic Novel

I think this looks just awesome. I’d have to sit down and read it while listening to some Converter or something of that like

Check out and buy it here:

http://www.reverbnation.com/playlist7

The song will be free thru the playlist7 site for a week, so the more downloads, the better for us, because we can keep getting featured.

So, if you’re looking for some music that’s outside the scope of most of the rock bullshit currently being played ad nauseum, check it out.

Thanks!

I went out to Anaheim, CA to check out winter NAMM on January 14th.  The show was well attended, with thousands of people, as per usual. I went out with the guys from Five12 software, as well as my good friend, Jason Wolf. We arrived on thursday and set up shop in our hotel room just across the street from the Anaheim convention center.

Walking into the packed center (thousands of people were in attendance, after all), I found that many of the usual suspects were exhibiting, such as Ableton, MOTU, and Korg.  Some, however, were sadly absent,  most notably Native Instruments, as well as some companies I know well, such as Audiocubes, and no editors from Computer Music Magazine.  I suspect that much of this was the cost of setting up at the event; it’s a huge, huge expense, and one that more and more companies are finding is not something they can work into their budget.

Another interesting happening was Avid’s almost total lack of a booth; their exhibition space literally was a chunk of floor, a single Avid sign marking it.  One display case showed off some Avid products, such as the Eleven Rack and Digidesign Mbox – but no more than that.  It was truly sad, actually; the booth felt lifeless, with no excitement about new products, or showing off the current products offered by Avid.  It’s unclear how Avid is planning on marketing themselves outside of their new slogan – “We’re Avid”.

One surprising exhibitor was  Teenage Engineering, showing off their OP-1 modular hardware synthesizer, which featured an FM radio scanner with the ability to sample FM radio signals and use the sampled sound as an Oscillator:

I was impressed by the hardware, but I don’t think that the $800 suggested price point will get me to buy one.  One cleaver feature on the synth was shown by pressing a key, which then displayed info about the hardware, with PRICE: proudly displayed.  Turning a knob made the price go up or down – showing that T.E. doesn’t yet have a total cost set in stone.

Of course, there was goodness by Access with the Virus TI:

Some lovely analog synths by Surfin’ Kangaroo:

Guitar Stomp boxes:

And one piece of gear I really looked forward to seeing, but was sadly very let down by; the Roland AX-synth Keytar:

I had high hopes for this piece of gear, but it was one of the cheapest feeling keyboards I’ve ever held.  Being made by Roland, I’d expect a sound brain capable of some serious sonic power – unfortunately, the sounds were like that of a cheap Casio.  “Trumpet”, “Guitar”, and “Piano” were amongst the sound choices, which resulted in horrible, super simple sounds that I couldn’t see anyone ever wanting to use.  Of course, you could route this into a synth of your own, but with a $1500 price tag, I can’t understand or justify buying this thing.  C’mon Roland, I expected better.  The only good feature found on this synth is a d-beam, and that’s not saying much.

I also attended a number of NAMM parties, including “Wham, Bam, Thank you NAMM” at the Downtown Independent movie theater in LA, which was quite the throwdown; sets from Henry Strange, Moldover, and the ever-cool Trifonic and the IDM man-beast Richard Devine, along with softaware demos (by yours truly of Five12’s Numerology software) and lots more goodness.

On Saturday night I attended Ableton’s VIP party.  Ableton, having announced “The Bridge” – a new way for software to talk to Ableton, along with their partnership with Serato DJ software, took over a tiny LA bar and turned it into Ableton HQ.   I’m a big fan of Ableton, so this was a real honor to attend.  I think we ended up in the super-VIP area at some point, because Velvet ropes surrounded us, Serato and Ableton team members sat with us, and no one kicked us out

And, of course, there were the late night sessions in the Hotel room with Five12’s Numerology, four macs, and a ton of gear thanks to my pal Jason Wolf, Jim Coker (Five12’s main man), and Geoff White:

I also had the chance to meet the Soundcloud team, which was very cool; got to pick their brains about future software integration, having just heard that the Presonus Studio One software now supports Export to Soundcloud.  Always loving what these guys do.

I saw some new hardware by Steinberg, the CI2 studio controller:

And a slew of drums, of course.  Pearl released an analog drum kit with electronic drum kit capability, which could prove quite useful for many drummers.

I also got to see Richard Devine throw down some demo sets at the Toontrack Booth:

So yeah, I was quite busy   I was liveblogging/tweeting/live video feeding a lot of this from my G1 phone, which kept me quite busy.

I made my way home with Jason late sunday night, and was glad to see my own bed.

The big winner at this NAMM, as far as I’m concerned, was Analog Synthesis; it seems to be making a real comeback. Lots of super-wirey synths were all around, squelchy noises abound, and plenty of geekery to be had.

Overall, NAMM was enjoyable as always.  However, I have to question how viable NAMM will be, over time; it’s a great place to network, but it rarely equals any deals for independents in the music industry.  Many developers and companies don’t see much from NAMM, simply because their audience isn’t there.  Their audience is out in bars, clubs, home studios, garages, and bedrooms, making music.  That’s where many companies need to focus, and I think that we’re going to see a turn in this direction over time.  Many companies are dropping out of NAMM, and as time goes on, you may see less and less of the big names setting up their booths at the big show.

However, this could lead to a renaissance in the show; smaller companies and developers might find their way into the show more easily (Teenage Engineering is an example of this – a new, first year company, getting onto the main floor in their first show? Quite impressive), and therefore, new growth in the direction of grassroots music industry sales and business.

The question of how Viable NAMM is will remain to be answered, but for now, it can still be said that if you want to know what’s going on in the music instruments and music industry, check out NAMM.

I’ll be doing a DJ set for Warehouse 508’s Skate n Skratch this coming Satuday, February 5th, I’d sure love to see you out.  I go on 5pm – 6pm, and will likely be doing 8bit and minimal tracks.

With music by:

Made in Bangladesh * The Scrams * The Dirty Novels * World on Fyre * Ya Ya Boom * Vertigo Venus * Five-Star Motelles * SayWut * Blue Rose Ramblers * Zack Freeman * Up the Holler *Young Edward

Free gelato from Ecco Gelato!
Backline provided by Eclipse Production Services

21+. $5 minimum donation at the door.

100 percent of the proceeds benefit Red Cross efforts on the ground in Haiti.

Bring your old cell phones for our cell phone donation box. Relief workers are requesting old cell phones.

There will also be a raffle for local art, restaurant certificates, tickets to the Guild Cinema and ski-lift tickets.

Wax Trax’s other half, Jim Nash, had passed away in 1995, and Flesher had closed Wax Trax and moved back home to Arkansas.

The label had been responsible for breaking a number of great bands, including KMFDM, Ministry, and Underworld.

So, break out an old Wax Trax release, and jam it loud and proud.

Or don’t, be a little bitch, and we’ll laugh at you. That’s what we do here.